The actual petal is about 3cm long. Straight-edged at start, it then progressively blossoms into a free style wavy form and tangles with other ones until they become a crazy mass of flaming red. Photographed in early Autumn 2014 as a research for a series of dyed dresses named Spider Lily Red.
Lily. I want to be you.
Spring wrap up.
me: You kidding.
flower: No, really. This is the look I’m after.
From Top:
Clunky patchy job extending the drawing, of a spider lily petal. For my “Spider Lily Red” series.
Clematis, one of the many crazy-blooming in the yard right about now.
Drying petals and stamens of Clematis, in macro.
“Dada Tote” that I’ve been working on.
Many ways to blossom. I would have never known how this tiny thing looks had I not macro-ed it this afternoon.
For last two weeks, my priority #1 has been to spend as much time with spider lilies, bloom for a short while each autumn.
This year they are back earlier, and seemingly more in numbers.
The blossom has been my muse for sometime now, and here’s why, shown in pictures.
The above two drawings are both dye sample swatches, from top the completed #2 and in-progress #3. On different fabrics – both silk, with slight difference in dye absorption, lines bolder on the #3 just because. This style of drawing is a new trick I am trying out since the above #2 but has been on my mind for much longer.
As for the petals, I couldn’t find a thing to add. Examining them closely somehow grew me muted.
I’ve decided to call this project “Spider Lily Red”, the newest addition to my dyed threads series.
最後の屋外プールが閉まった日、彼岸花が咲き始めたのに気がついた。二年前の秋、突然のようにあの赤い色を見ると胸の奥で何かが着火するようになった。なにがどう変化したのか、本当に突然だったのか。わからない、でもきらいな感覚では全然ない。
写真の絵２枚は染め見本、素材は両方ともシルクだがテクスチャーは少し違う、よって染料の染み込み具合の感触も違う。そうすると意識しないでいても描き方も自然と違ってくる。なんでかはわからない、わかろうとする気もあんまりない。
そもそも何故彼岸花がそんなに好きになったかだって不明。でも、わからん、といってそのままにしておけるのが何故かとても嬉しくて、くるくるにまるまった花びらを指に絡めてみたりするのだ。
進行中の彼岸花シリーズ『Spider Lily Red』は当方の染色系統の次作（今までの作品はこちら）。
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Lately, much of my evenings I spend visiting fireflies.
Early summer rice fields, the plants are already at their full-height. They host a small family of the delicate insects come alive each evening as Twilight falls.
In the pitch dark their fluorescent yellow lights draw weightless lines visible only to my mind’s eye.
Flashing on, off, on, off….I stand amidst the invisible web of Organic Elegance and say to myself:
I get it, it’s that Pulse again!!
Just then in distance a Wave breaks one more time, with its most wholesome assertion Sea replies:
it’s our Heartbeat honey, yours and mine.
The Night then trembles, suspended in time.
Photos are of various beach finds and a dye test swatch for my “Spider Lily Red” series.
The last photo is of a new pencil drawing, incomplete, of a petal of the said lily, for the said series, trying something different from how I usually painted with dyes.
Additional note on April 10, 2019:
This post was originally titled as “Bounds melt. Time stands still.”.
For the reason I do not disclose (i.e. not that interesting to you) I removed this post from this site for a while.
I revived this under a new title and with revised text on April 09-10, 2019. The reason being:
The red lily petal dyed on a silk (the photo in the middle) was the first dye test for this project “Spider Lily Red”. I painted in the same way as all the previous Dyed Threads series (example). And it didn’t quite work.
The bottom drawing is what I came up with as the alternative. The rest of photos are the main sources of inspirations. The drawing – of the same petal, had progressed into 2 part series (references: drawing 1, and drawing 2) – are both completed now. I thought it would be kinda neat to show you how it all started.
Just wanted to see how a longish title would look.
As a research for my upcoming dye piece, I’ve been taking way too many photos of spider lily blossoms. Through this practice ideas seem to emerge. Well, they better.
Here I picked the best of, all taken just recently.
つい先日一般道で新潟まで出かける機会があった。太平洋側はそこらじゅうで満開だった彼岸花だが、那須高原を越え新潟までの道程ではほとんど見かけなかったのが不思議といえば不思議。育たないのか、育てたくないのか。
それにしても南会津の星空は迫力があった。ここの住人にはこれがあたりまえなのか。地球みたいな星がこのなかにどれだけあるのか、自分みたいな奴がたったいまどこかで同じような事を考えているのか。
こんなに疑問ばかり並べていないで早く寝た方がいいのではないか。
最後の一つだけ答えがわかりました。
追記 on 2020年11月29日：
彼岸花は真冬にすらりと洗練された深緑の葉っぱを生やして日光を独り占めするのです。だから雪の積もるエリアではあかんのでしょう。
ああもうなんてかっこいいんだろう、完全脱帽状態です、惚れ直しました。
Last Edited: November 29, 2020.
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This year summer arrived late. Right when it did, I headed west in my little Honda. Along the coast of the Great Channel of Far East (formally known as Japan Sea), until I hit the region called San-in, “in the shadow of mountains”.
I’ve taken city street, cutting through “Japan Alps” at midnight (not the smartest idea), so as to really hear cicadas sing, millions of trillions of them. Each and every mount tall and small buzzed like it is a space craft about to take off, sound that goes well with the blazing summer sun.
Beaches of San-in have minimum dose of concrete holding them in. Mounds of thriving woods in sharp angles and rocky little picturesque islands grow out of glassy teal sea. They perch at the edge of water, appearing wild, but also somewhat reserved. Polite yet unrestricted, the harmonious anarchy.
While treading water impressed, ocean decided to rush into my snout, sending an army of microorganisms as plenty as cicadas in summer hills, on a mission to unlock my senses from inside out. Thanks to them the buzzing intensified, and for a few moments I felt I could almost ‘get’ what their song is all about.
From top:
1 and 2 – Tango Peninsula, Kyoto
3 – Yasugi Beach, Hyogo
4 – Aizu South, Fukushima
5 – Kasumi, Hyogo
All photographed earlier this month.
Heartfelt “Thank You!!” to all of you generous souls I encountered during my trip.
コンクリで護岸処理をしてある海岸線を通ると、セーラー服着用を義務づけられた６年間を思い出す。着たとたんに魂の電源が切れるというか、情熱に石棺処理を施されたような息苦しい感覚である。もちろん世の中には正反対の反応をなさる方もたくさんおられるようなのでこれはごく個人的な問題なのだけれども、不自由感を感じていないふりを自分にしないとやってゆけなかったから余計話はややっこしかったのだ。
新潟の海岸線はコンクリ使用量がとても多いようで、もったいない話だが制服トラウマの再燃に追い立てられる様にいつもあわてて通り過ぎてしまう。どこか影のある北陸を過ぎ若狭湾をこえたあたりで突然当方に変化が起きる。肺が勝手に深呼吸をしチョウチョの様にぱたぱたと羽ばたき始めるような胸いっぱいの開放感の発症である。
『山陰』という名前からはほど遠く明るくひらけた京都から兵庫、鳥取あたりのあの一帯には前述の護岸処理はあまり見当たらない。すくなくとも当方はもうそれどころではなくて、叫ぶような蝉たちの鳴き声にのって自らが飛び立っていってしまいそうで、一杯空気を吸い込んで軽くなった肺胞が風船の様に勝手に空を目指してしまいそうで、そんななかば宙に浮いた視界に入ってくるのは、石庭のような波紋を描く水面から生える、みっちりとはち切れそうな緑に覆われた小さな山々や日本画から抜け出たような岩の数々から、発車寸前の宇宙船のように響き渡る蝉の声が太陽光線といっしょになってすべてを震わせ前述の生き埋め感覚を木っ端みじんに粉砕する、そんな一大事な真夏の光景なのである。
上から、
写真１、２ 丹後半島 京都府
写真３ 安木浜 兵庫県
写真４ 南会津 福島県
写真５ 香住 兵庫県
写真はすべて今月はじめ頃に撮影。
旅行中こんな当方に親切にして下さった皆様に心から感謝いたします。
