An Ivory Sea Shell textures.
Sand dollar, inner part.

Lately, much of my evenings I spend visiting fireflies.
Early summer rice fields, the plants are already at their full-height. They host a small family of the delicate insects come alive each evening as Twilight falls.

Test painting on silk.

In the pitch dark their fluorescent yellow lights draw weightless lines visible only to my mind’s eye.
Flashing on, off, on, off….I stand amidst the invisible web of Organic Elegance and say to myself:
I get it, it’s that Pulse again!!

Just then in distance a Wave breaks one more time, with its most wholesome assertion Sea replies:
it’s our Heartbeat honey, yours and mine.

The Night then trembles, suspended in time.

An wavy sea shell textures.
A flower petal study sketch.

Photos are of various beach finds and a dye test swatch for my “Spider Lily Red” series.

The last photo is of a new pencil drawing, incomplete, of a petal of the said lily, for the said series, trying something different from how I usually painted with dyes.

Additional note on April 10, 2019:

This post was originally titled as “Bounds melt. Time stands still.”.
For the reason I do not disclose (i.e. not that interesting to you) I removed this post from this site for a while.

I revived this under a new title and with revised text on April 09-10, 2019. The reason being:

The red lily petal dyed on a silk (the photo in the middle) was the first dye test for this project “Spider Lily Red”. I painted in the same way as all the previous Dyed Threads series (example). And it didn’t quite work.
The bottom drawing is what I came up with as the alternative. The rest of photos are the main sources of inspirations. The drawing – of the same petal, had progressed into 2 part series (references: drawing 1, and drawing 2) – are both completed now. I thought it would be kinda neat to show you how it all started.

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