A dog fight analogy.
Which beast wins?
The one you feed will.
Making the invisible, visible. Kawasaki, Japan.
Both the drawing and the prototype are Aqua Dragon Dress 2 in its early formation.
A dog fight analogy.
Which beast wins?
The one you feed will.
Making the invisible, visible. Kawasaki, Japan.
Both the drawing and the prototype are Aqua Dragon Dress 2 in its early formation.
(yet another) Recap: a dye test for Aqua Dragon Dress (2006).
And a photo of a cool place near my house just yesterday, probably to be the last sunny day of August.
Recap: a dye test for Dyed Dragon Series, January 2006.
And a souvenir shell from a trip to Shizuoka Prefecture earlier this month.
“Is it ‘flowing’?”
Yours truly, trying on one of her prototypes, which, a year later, became a piece called “Aqua Dragon Dress 2”. What she’s standing in is called “pre-relocation mess”.
Autumn 2005, Kawasaki, Japan.
Recap. Wing Dress (2007-2011).
Originally posted on Cargo Collective circa June 2011.
Piece: Wing Dress – Velocity (2009-2011), acid dye on silk.
Originally posted on Cargo Collective circa June 2011.
Piece: Wing Dress (2007-2009), acid dye on silk.
Originally posted on Cargo Collective circa June 2011.
Piece: Indigo Dragon Top (2006), acid dye on silk.
Photographed circa 1998, with a film SLR camera, at a neighborhood shrine in Kawasaki, Japan. These carvings became one of the main inspirations for my dyed dragon series.
ALERT:
This video contains flickering / flashy lights and could-be dizzying movements.
(Strong sunlight reflections at the shore, and may be felt as disorientating camera work.)
In summer 2009 I started recording the creative process on videos – mainly of me working on my dyed pieces,
as a vlog version of my then blog “art is a process” (2007-2012) which documented the making of two Wing Dresses.
Above is titled “Wing Dress in the Making, October 22, 2011”, my most favorite, also one of the last videos of my finishing up the second Wing Dress “Velocity”, synched with a fantastic music I discovered through blogging.
The “synching” thing was what I somehow naturally arrived at. I had a lot of fun experimenting stuff that way.
Special Thanks to Ms. Betsy Grant for her piano piece – the short piece feels to me has the kind of preciseness I always adored,
to the point, on what it takes to become ready for love.
Last Edited: November 18, 2019.
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