Category Archives: Art

Trinity.

2010’s: A Decade in Review.

Sea shore at sunrise.

A forming ocean wave.
A coffee cup on a beach driftwood.
A dress with a dyed wing detail.
A dress with a dyed wing detail.
A dress with a dyed wing process.
Moon above shore.
A hand painted wing dress on sand dune.
Worn sandals frosted with snow.
Swimming pool geometrical cross pattern.
A hand painted flower petal dress.
A hand painted flower dress on the shore.
A Walk on the Beach.

Ocean waves at sunset.

Moments lived once, from top. year/month/day/time:

2010/01/01 07:13
– The first sunrise of the decade.

2010/09/06 17:58
– That summer I swam a lot in the sea, daily at sundown.
Until I became transparent and merged with the changing colors of the ocean lit by the setting sun.
Like one of them sea creatures in the deep, see-through with neon dots.

2010/11/26 11:03
– Ocean Cafe, a practice I started in late 2000’s.
Did my “don’t laugh I’m trying to surf” thing around this time as well, the last time before Fukushima blew up.
It was on a moon-lit night, just after it was full. The practice – Night Surf – I started also in late 00’s, fascination and desire to rely solely on my intuition outweighed my fear. I thought it’d make me a better artist.
Not sure if it worked but I haven’t forgotten how I felt: very, very alive.

2011/01/28 15:19
2011/01/22 14:18
2011/02/09 14:27
– “Wing Dress – Velocity” in near completion.

2011/02/18 17:56
– Light Calligraphy, another naturally emerged “practice” in late 2000’s.
I literally close my eyes and move my camera like a calligraphy brush to “draw” with the light source.
By relying solely on my intuition I thought it’d make me a ….

2011/08/28 06:10
– Tottori Sand Dune. I got there before sunrise, carrying a sewing body while still dark.
The mini dune sounded intensely quiet, like it does in a desert, especially in those hours.

2011/02/11 16:15
– Classic Japanese nondescript flip-flops.
A pair carried me to the sea everyday, so worn, I remember even today feeling the bumpy, warm asphalt beneath my soles.

2019/09/10 15:58
– From the last outdoor swim of the year. I swam so much throughout the summer, sharing the rectangles in the sun with a small group of enthusiasts.

2017/05/24 17:11
– “Spider Lily Red – Flare 1”, in process.

2017/12/30 time unknown
– “Spider Lily Red – Flare 1”, in association with the ocean.

2019/08/31 18:01
– On the last day of August I barefooted into the sea, ankle deep in the part of Pacific I’ve known for so long.
The first time since August 2012, a year after the thing blew up.
I was alive again in no time though, like as if I never left.
Like dried wakame reviving itself in water.

2019/12/31 16:15
– The Last Sunset.
The spectacle at the beach was a gift from The Artist who knows, obviously, how to end the decade with a bang.

Additional Note on “Night Surf” (2020/03/09) :

Possibly redundant but I think worth mentioning is that, accessing the intuition seems easier if I collected enough data, such as, in this case, my strength against the power of the water, the rocks, the depth, the hazards such as sharks. Before hurling myself into the pitch-black water I consulted a fisherman and a surfer knowledgeable about the particular beach, and there on my own made enough mistakes under the sun. The angle of the moon was worth paying attention to as well.

Like a navigation map the human in me wanted to know where I am at, in order to best utilize fear as a fuel so that I could, to my utmost, surrender to the Intuitive.

Moreover.
Panic grows instantly when in the sea. Especially since I was neither skilled nor enlightened, I made sure I was ‘trusting’ enough before each try. Nervous, not frightened, anxious, but excited, eager, than reckless – it is in this longing / resisting I find the spark that enlivens the Creative.

Process is the Destination!!

Parable:

I am a lap swimmer, have been since early 1980’s. Been back and forth in aqua blue rectangles worldwide, total sum of distance I covered would, at this point, get me from Central Pacific JPN to the island of Guam I bet.

At one point in my 20’s I realized one thing: when I focus on getting “there” sooner, I’d have a terrible time, increasingly frustrated because, in rectangles “there” does not exist. If I focus on each stroke however, by the time I hit a kilometer I’d be high as a kite. I don’t cliche you on my website; this just simply my experience. Fitness a fringe benefit, hooked on this euphoria ever since.

Pictorial:

Macro closeup of spider lily petals.
A pencil drawing of spider lily petals.
A drawing of a spider lily petal in progress.
Pencil drawings of a spider lily petal in progress.
Artworks in studio.
An abstract spider lily petal drawing.
A hand painted flower dress in process.

Project:

Spider Lily Red (2012 – )

Photos, from top (date photographed):

Petal (September 22, 2013)

A casual, care-free snapshot of spider lily petals, from one of the early macro sessions that introduced me to their delicate / dynamic world.
The one in the middle became THE petal.

Study (November 11, 2013)

Pencil on paper. Started off equally care-free, quickly discovered the shape to be overwhelmingly complex.
Nearly tossed the whole thing in a bin, a trash bin that is.
Why / how I didn’t remains a mystery.

Develop (June 01, 2015)

Pencil on another paper, after few more drawing experiments and several dye tests. Incrementally molding it into my style of line drawing, initially inspired by engravings from 18th Century.

Expand (January 10, 2016)

Still pencil on paper. My interpretations of red spider lilies are translated into each flowing lines.
At least that’s what I think I’m doing, oki?
The kind of endeavor tends to take plenty o time.

Augment (December 01, 2016)

Acid dye on silk. Took about nine full months to paint the pencil drawing (the one below) – of the curly half of the petal I’d call it, on fabric.
Blow up copy on the wall is a drawing of the wavy half of the petal, by the way is painted on the project’s second piece at the time of this writing, in late November 2019.

Refine (October 04, 2016)

Pencil on paper, the first of the two part drawings, congrats to me, completed.
Photographed outside hence leaves casting shadows visible on white space.

Form (May 24, 2017)

Acid dye on silk, photographed while still in painting process but by then I was starting to see the light, the tunnel exit light.
Pinned together to match the lines at seams.

Epilogue:

There is a bird of prey named “Kite”, they glide up high in circles, scanning the ground for a strolling moron with a fish sandwich (true story). In speed of light the hungry moron would lose her sandwich, snatching so slick it’d leave her with heightened sense of awe memorable for decades to come.

Why steal when all you do is glide in circles?

Their whistles gentle like a songbird, its resonance the awe heightened up high, falling mist on the moron in euphoric micro particles.

Uno Suprema

A flat sea shell on a leaf.
A flat sea shell on a leaf.

Sea shell blocks.
Flat sea shells.

Sea shell blocks.
A sea shell piece on a leaf.

A flat sea shell on a leaf.
A flat sea shell on a leaf.

“It is in the struggle between good and evil that life has its meaning.”

A flat sea shell on a leaf.
Blue mussel sea shells.

Visuals:
Collaborative works with The Artist, who did the photographed pieces, all ocean-worn, collected in recent weeks.
Magnificent time working with You, always.
Quote:
“….and in the hope that goodness can succeed.”
Scott Peck, People of the Lie (p.266-7).

Or Perhaps:

Life is like a waterslide, you jump in with a bang, tossed around with gusto and then spat out, into the splashes catching the summer sun, bursting into laughter like blue sky saying,

“it was really fun, let’s do that again!!”

Lastly:
This post is dedicated to my two special friends, one entered, the other exited in July,
to their unforgettable bang/gusto/laughter now imprinted in my heart where I create, I try to, from.

October That Year.

Painting footage were recorded on October 18 mostly and on 20th.
Black and white, sea-less, soundless version was upped to IG on June 28, 2019.
The one you see here is the revised, relatively fancier version, edited on 29Mar22 ~ 03Apr22.
I use iMovie, always have. I am aware of fancier editing tools but I haven’t gotten around to study them. Reasons? One-woman show with time limitations and priorities.

The piece in progress is called Spider Lily Red – Flare 1.

Published on April 03, 2022.

A forming wave in morning light.
2015.02.01 – Hear/I am.

Sea/She

A sea shell detail over a ocean wave.
A mussel shell detail over sea surface.
Artwork in progress with ocean surface.
Sea shells layered with sea shore.
A mussel shell detail with sea and a gull.

Photo #3 from top:
Workin’ hard, buried in seashells – the piece in progress is named “Spider lily Red – Flare 2”. (Flare 1 is completed / what I am painting is this drawing.)

Sea shells with sea shore.

Creative Process, May 2019.

Spanish Bluebell stamens and a pistil detail.
Bluebell blossoms and an art work in progress.

#Beautywillsavetheworld

Sumire Violet blossom detail.
Hyacinth dried petals detail.
Spanish Bluebell, stamens, a pistil, an ovary detail.

May 05, 2019, the day the last petals fell from the cherry tree outside my window, I opened a new bottle of red acid dye and dissolved a small portion in a tiny plastic container. It’s the beginning of a long painting process, starting with tracing of the previously-done drawing on the wrong side of silk stretch satin.

In the early part of the process, as seen in the photo below of a newly traced pattern, the piece would look quite unpromising. Being the only person who sees the potential in the work-in-progress, it is up to what faith I got left in me to bring the vision of what it can be onto the surface which, at least for an initial while, appears to be nothing but a far cry.

I’ve been driven to bring into existence the two-piece series I named “Spider Lily Red – Flare”. Will I still be going through this even if no one else in this world would dig it? (ouch!!) The answer is ever-emphatic yes.
I’d do it for the Beauty, the kind that is all-enveloping, synonymous with words like ‘Timeless’ and ‘Truth’, because It touched me again and again and again, in a way I do not know how else to say “Thank You” to.

Bluebell blossoms and an art work in progress.
Spanish Bluebells flower detail.

From Top:
Quote / hashtag by Fyodor Dostoevsky. Haven’t read the book though – I found it on instagram.
Photo 1,5,7 – Spanish Bluebell, captured macro in various stages of progression.
3 – Violet, bold and vibrant.
4 – Hyacinth, dried petals and the part that held the seed.
2 and 6 – ‘Spider Lily Red – Flare”, in the aforementioned initial stages, with inspirative Spanish Bluebells.

Creative Process, September 2005.

A dog fight analogy.

Which beast wins?
The one you feed will.

Creative Process Triptych.

Making the invisible, visible. Kawasaki, Japan.
Both the drawing and the prototype are Aqua Dragon Dress 2 in its early formation.

Creative Process, March 2019.


A Japanese Apricot bud detail.
Artist's studio with works in progress.
A Japanese Apricot budding detail.
Artist at work.
Bunchflower Daffodil flower detail.
Artworks in progress with Narcissus blossoms.
Bunchflower Daffodil dried flower detail.
Art work in progress.
A Japanese Apricot blossom detail.
Art works in studio.
A Japanese Apricot post blossom detail.

From top:
Photo 1,3,9,11 – Japanese Apricot, also known as Ume, in various stages of development.
5,6,7 – Bunchflower Daffodil, Narcissus Tazetta in Latin. Dries pretty (6 and 7).
Both flowers are in full bloom as of now, impeccably designed by The Artist I follow very closely.
2,4,6,8,10 – Are my stuff I’m working on called “Spider Lily Red – Flare 2”. Well where’s the red? That’s coming up next.
References: Spider Lily Red – Flare 1 (completed), the drawing traced in the photos above (also completed) and the progress of the project (has been documented since 2012).

Hope this post finds you well – thank you for stopping by.

Work in Progress.

Japanese Apricot blossoms detail.
Artist in studio.

Time flies, but you are the pilot.
– KLM Airlines paper napkin.

Japanese Apricot calyx detail.

The pilot, during a break after a long flight through fine and foul, low fuels, engine troubles, and turbulences with oxygen masks dangling – there also had been a few instances of emergency landings (details withheld) – is photographed on her recent 55th birthday, striking a “mountain peak pose” standing amidst papers for a project named “Spider Lily Red“, with a bouquet of Bunchflower Daffodils, sandwiched by pictures of Japanese Apricot, the first two to start off the seasons of scented blossoms.
She is captured donning a dyed jacket, one of her earlier creations, and a smile that turned up impromptu, as she pondered upon the monumental tasks, the project and the flight, both work in progress, much like the pilot.

Thank you for your visit, and here’s to your monumental flight!!

2019: Blank Pages Ahead.

Dear Visitor, Happy New Year!!

A journal and dried flowers with ocean underlay.
A journal and dried flowers with ocean underlay.
A journal and dried flowers with ocean underlay.

May your pages be filled with what makes your heart swing.

A journal and a dried flower with ocean underlay.
A journal and a dried flower with ocean underlay.

This year, for the first time I bound my daily planner, crafted it in just the way I wanted.
With uneven edges and unfinished stitches, even let the stamped numbers dance, too!
All for the purpose of gifting myself daily, with a reminder that in Creativity there is, inherent, inviolable freedom.

The journal is photographed with dried spider lily blossoms from 2 autumns ago, with overlaid images of the ocean photographed during the first few days of this year.