Category Archives: Art

Cocoon.

She was a compact two wheel drive in the modest shade of silver.
Previous owner from western Japan left a cigarette burn on the driver’s seat.
Sales man at the lot remarked on my face, said I look rusted like the car’s old engine.
Purchase was made in autumn 2011, the year everything felt like one big defeat.

Thought nothing good would come from this, turned out couldn’t be further from the truth.
Soon there were nights parked on a sand dune, curled up to hear the endless loop of waves.
We’d ride up the hills, into the storm and rest under the trees, wrapped in their unquestionable resiliency.
Most importantly though, she was a shelter with changing sceneries, encased my shedding, the morphing, the reaching for Creativity.

My humble, sturdy sidekick fell silent in the late February 2020.
“Cocoon spat me out” I said, I felt like a cicada freshly out of his, with soft pale green wings that harden overnight.
100 months in my modest silver cocoon, had brought me to where I always dreamt I’d visit.
We took one long ride together, thousands sunsets enclosed us along the way.

A wave on a cloudy beach.
Windshield rain shadows on a journal.
Cloudy sky through a driver seat.
A tree in rain through a windshield.
An abstract drawing in afternoon light.
Night Ocean.
Gardenia blossoms obstructed by leaves.
Artworks in a studio.
A windshield pattern on rainy drive.
Swans against water ripples.
A gardenia bouquet in an artist studio.
A self portrait on a curved mirror.
Textile art work in studio.
A rear view mirror self portrait.
Works in progress in artist studio.
A car parked on a rural road at dusk.

This post is dedicated, an ode to my sidekick, we had parted our ways in early April.
Photos are mostly taken with iPhone, all edited using vsco B5 filter.
All artworks are from the series “Spider Lily Red” (2012 – ).
The second selfie: “one eye” is a happenstance, I am so very much a ‘commoner’.
The sales man did not receive my vendetta; figured him being him would be the punishment enough ;)

True Visions

Winter Ocean Waves with a Leaf overlay.

A little belated; Happy New Decade!!!

Above is the first photo I post online in the new decade. Of a leaf I found one day in mid January, on the ground I was walking, lit up with a special Nudge I’ve learned not to ignore.

A moment before that I was dragging my feet lamenting on my photography fatigue, gazed down which turned out to be a good thing because, the Leaf, as the Grade A Plus abstract art, catapulted me out of the enthusiasm desert.

Photographed is the Leaf’s reverse side. The shiny side has the chicest colors but I’m not posting it because, I am pretty certain you can find a leaf at where you are, a Leaf just as potent, even if you live in a most desolate inner city.

And also, much like that: you always have You, under any circumstances. Yes you do, a Leaf and You, and are way more than enough to ignite the unfolding of Your Visions. Your Truth.

P.S.
Special thanks to The Oceana, photographed on my 56th birthday in late January. I now hear you, your Waves, always, even when I am away.

Lonely Place to Be.

Sea shore with a chair.

Annabelle, I waited
in this Kingdom of the Winged

A chair on the beach at sunset.

From top:
P1 – A warm day in early February 2020, a phone snapshot taken to remember. Edited with VSCO Cam, a mono version posted on VSCO on May 10th, 2020.
P2 – Also a warm day in summer 2018, edited and posted on VSCO, July 12, 2019.
I bring all that stuff but usually end up just sitting there looking at stuff.
Decorative text in the middle is Poe “Annabel Lee” deconstructed / expanded in the direction I wanted. It’s part of my ongoing “messing with other people’s poems” experiments.
Published here on March 12, 2021.
Edited on June 04, 2022 with a new photo, a poem, a new direction.

A red spider lily bouquet lit by the sun.
2020.10.13 – True North

Note on August 23, 2022:
Flowers in the above photo were cut by someone else and were withering on the ground, turning black. I gathered them and brought them back to my room where they revived themselves brilliantly.

Trinity.

2010’s: A Decade in Review.

Sea shore at sunrise.

A forming ocean wave.
A coffee cup on a beach driftwood.
A dress with a dyed wing detail.
A dress with a dyed wing detail.
A dress with a dyed wing process.
Moon above shore.
A hand painted wing dress on sand dune.
Worn sandals frosted with snow.
Swimming pool geometrical cross pattern.
A hand painted flower petal dress.
A hand painted flower dress on the shore.
A Walk on the Beach.

Ocean waves at sunset.

Moments lived once, from top. year/month/day/time:

2010/01/01 07:13
– The first sunrise of the decade.

2010/09/06 17:58
– That summer I swam a lot in the sea, daily at sundown.
Until I became transparent and merged with the changing colors of the ocean lit by the setting sun.
Like one of them sea creatures in the deep, see-through with neon dots.

2010/11/26 11:03
– Ocean Cafe, a practice I started in late 2000’s.
Did my “don’t laugh I’m trying to surf” thing around this time as well, the last time before Fukushima blew up.
It was on a moon-lit night, just after it was full. The practice – Night Surf – I started also in late 00’s, fascination and desire to rely solely on my intuition outweighed my fear. I thought it’d make me a better artist.
Not sure if it worked but I haven’t forgotten how I felt: very, very alive.

2011/01/28 15:19
2011/01/22 14:18
2011/02/09 14:27
– “Wing Dress – Velocity” in near completion.

2011/02/18 17:56
– Light Calligraphy, another naturally emerged “practice” in late 2000’s.
I literally close my eyes and move my camera like a calligraphy brush to “draw” with the light source.
By relying solely on my intuition I thought it’d make me a ….

2011/08/28 06:10
– Tottori Sand Dune. I got there before sunrise, carrying a sewing body while still dark.
The mini dune sounded intensely quiet, like it does in a desert, especially in those hours.

2011/02/11 16:15
– Classic Japanese nondescript flip-flops.
A pair carried me to the sea everyday, so worn, I remember even today feeling the bumpy, warm asphalt beneath my soles.

2019/09/10 15:58
– From the last outdoor swim of the year. I swam so much throughout the summer, sharing the rectangles in the sun with a small group of enthusiasts.

2017/05/24 17:11
– “Spider Lily Red – Flare 1”, in process.

2017/12/30 time unknown
– “Spider Lily Red – Flare 1”, in association with the ocean.

2019/08/31 18:01
– On the last day of August I barefooted into the sea, ankle deep in the part of Pacific I’ve known for so long.
The first time since August 2012, a year after the thing blew up.
I was alive again in no time though, like as if I never left.
Like dried wakame reviving itself in water.

2019/12/31 16:15
– The Last Sunset.
The spectacle at the beach was a gift from The Artist who knows, obviously, how to end the decade with a bang.

Additional Note on “Night Surf” (2020/03/09) :

Possibly redundant but I think worth mentioning is that, accessing the intuition seems easier if I collected enough data, such as, in this case, my strength against the power of the water, the rocks, the depth, the hazards such as sharks. Before hurling myself into the pitch-black water I consulted a fisherman and a surfer knowledgeable about the particular beach, and there on my own made enough mistakes under the sun. The angle of the moon was worth paying attention to as well.

Like a navigation map the human in me wanted to know where I am at, in order to best utilize fear as a fuel so that I could, to my utmost, surrender to the Intuitive.

Moreover.
Panic grows instantly when in the sea. Especially since I was neither skilled nor enlightened, I made sure I was ‘trusting’ enough before each try. Nervous, not frightened, anxious, but excited, eager, than reckless – it is in this longing / resisting I find the spark that enlivens the Creative.

Process is the Destination!!

Parable:

I am a lap swimmer, have been since early 1980’s. Been back and forth in aqua blue rectangles worldwide, total sum of distance I covered would, at this point, get me from Central Pacific JPN to the island of Guam I bet.

At one point in my 20’s I realized one thing: when I focus on getting “there” sooner, I’d have a terrible time, increasingly frustrated because, in rectangles “there” does not exist. If I focus on each stroke however, by the time I hit a kilometer I’d be high as a kite. I don’t cliche you on my website; this just simply my experience. Fitness a fringe benefit, hooked on this euphoria ever since.

Pictorial:

Macro closeup of spider lily petals.
A pencil drawing of spider lily petals.
A drawing of a spider lily petal in progress.
Pencil drawings of a spider lily petal in progress.
Artworks in studio.
An abstract spider lily petal drawing.
A hand painted flower dress in process.

Project:

Spider Lily Red (2012 – )

Photos, from top (date photographed):

Petal (September 22, 2013)

A casual, care-free snapshot of spider lily petals, from one of the early macro sessions that introduced me to their delicate / dynamic world.
The one in the middle became THE petal.

Study (November 11, 2013)

Pencil on paper. Started off equally care-free, quickly discovered the shape to be overwhelmingly complex.
Nearly tossed the whole thing in a bin, a trash bin that is.
Why / how I didn’t remains a mystery.

Develop (June 01, 2015)

Pencil on another paper, after few more drawing experiments and several dye tests. Incrementally molding it into my style of line drawing, initially inspired by engravings from 18th Century.

Expand (January 10, 2016)

Still pencil on paper. My interpretations of red spider lilies are translated into each flowing lines.
At least that’s what I think I’m doing, oki?
The kind of endeavor tends to take plenty o time.

Augment (December 01, 2016)

Acid dye on silk. Took about nine full months to paint the pencil drawing (the one below) – of the curly half of the petal I’d call it, on fabric.
Blow up copy on the wall is a drawing of the wavy half of the petal, by the way is painted on the project’s second piece at the time of this writing, in late November 2019.

Refine (October 04, 2016)

Pencil on paper, the first of the two part drawings, congrats to me, completed.
Photographed outside hence leaves casting shadows visible on white space.

Form (May 24, 2017)

Acid dye on silk, photographed while still in painting process but by then I was starting to see the light, the tunnel exit light.
Pinned together to match the lines at seams.

Epilogue:

There is a bird of prey named “Kite”, they glide up high in circles, scanning the ground for a strolling moron with a fish sandwich (true story). In speed of light the hungry moron would lose her sandwich, snatching so slick it’d leave her with heightened sense of awe memorable for decades to come.

Why steal when all you do is glide in circles?

Their whistles gentle like a songbird, its resonance the awe heightened up high, falling mist on the moron in euphoric micro particles.

Uno Suprema

A flat sea shell on a leaf.
A flat sea shell on a leaf.

Sea shell blocks.
Flat sea shells.

Sea shell blocks.
A sea shell piece on a leaf.

A flat sea shell on a leaf.
A flat sea shell on a leaf.

“It is in the struggle between good and evil that life has its meaning.”

A flat sea shell on a leaf.
Blue mussel sea shells.

Visuals:
Collaborative works with The Artist, who did the photographed pieces, all ocean-worn, collected in recent weeks.
Magnificent time working with You, always.
Quote:
“….and in the hope that goodness can succeed.”
Scott Peck, People of the Lie (p.266-7).

Or Perhaps:

Life is like a waterslide, you jump in with a bang, tossed around with gusto and then spat out, into the splashes catching the summer sun, bursting into laughter like blue sky saying,

“it was really fun, let’s do that again!!”

Lastly:
This post is dedicated to my two special friends, one entered, the other exited in July,
to their unforgettable bang/gusto/laughter now imprinted in my heart where I create, I try to, from.

October That Year.

Painting footage were recorded on October 18 mostly and on 20th.
Black and white, sea-less, soundless version was upped to IG on June 28, 2019.
The one you see here is the revised, relatively fancier version, edited on 29Mar22 ~ 03Apr22.
I use iMovie, always have. I am aware of fancier editing tools but I haven’t gotten around to study them. Reasons? One-woman show with time limitations and priorities.

The piece in progress is called Spider Lily Red – Flare 1.

Published on April 03, 2022.

A forming wave in morning light.
2015.02.01 – Hear/I am.

Sea/She

A sea shell detail over a ocean wave.
A mussel shell detail over sea surface.
Artwork in progress with ocean surface.
Sea shells layered with sea shore.
A mussel shell detail with sea and a gull.

Photo #3 from top:
Workin’ hard, buried in seashells – the piece in progress is named “Spider lily Red – Flare 2”. (Flare 1 is completed / what I am painting is this drawing.)

Sea shells with sea shore.

Souvenirs

Sea shells in a cupped hand.
Shells and a leaf by a coffee cup.

Sea gives and gives.
In the world filled with those who think free means worthless.

Boxes of sea shells with hyacinth blossom.

Top 2: taken 18Jun2019, posted on vsco 19Jun19.
The 3rd f. top: taken and posted on vsco on 27Mar2018.

You are welcome to comment, by the way. Would be lovely.
Marketers spamming won’t be published though.

History
Published: February 20, 2021.
Edited: February 16, 2023 Added the 3rd photo and revised the top 2 with “hazy candy” edit.
In case you wondered, what I mean by hazy candy-tone, is the tone of the sunsets of the season, spring to early summer, as vaporized sea mist giving the smoky hue while the rest of the colors somehow seem to come alive.