Category Archives: Portfolio

Spider Lily Red – Flare 1

Dress with a dyed lily petal on the beach.

Spider Lily Red – Flare 1 (2017) – Acid dye on silk.

A hand painted dress on the beach.
A hand painted dress on the beach.

Flare, as in, enliven.

A hand painted dress on the beach.

You would not find Spider Lilies at florists. They flower in fields in early fall as every other flowering plant withers, giving their distinctive red the perfect stage with no competing colors.

Since fall 2012 I have observed the lilies closely, especially through capturing their petals in macro photographs, as the ideas for this series crystallized.
The petals, about an inch long at most, while remaining nearly motionless – there are some, as they progressively curl – they manage to emanate the inspirative fluidity just as dynamic as that of the Ocean.

This is the first of the two-piece series with one half of a petal painted, on a slip, a type of garment designed to be worn closest to the skin not always intended to be seen by others, to enfold but also to express inwardly, to speak into oneself, in this case the language of the red lilies of the field, and of the universal, inspirative Fluidity.

Making of the series has been documented on this website.

A hand painted dress on the beach.

A flower petal dye drawing detail.
A flower petal dye drawing detail.
A flower petal dye drawing detail.

A flower petal dye drawing.

A dress with a lily petal drawing on night beach.

Above: Nightfall (2017, in association with the Ocean)

Edited Black and White Images

An abstract pencil drawing over ocean waves.
A dead gull on the beach and painted feathers.
A flower petal drawing over ocean.
A hand painted dress on the beach with painted feathers.
A hand painted dress with a wing drawing.
A hand painted dress and a magnolia blossom.
A hand painted dress and the oceanic horizon.

All derivatives from Dyed Threads series.
From top:
Spider Lily – early sketch, monochrome (2015)
Wing Diptych 1 (2015) The bird was photographed in September 1999, and became the inspiration for the Wing Dress series.
Spider Lily – study, monochrome (2015)
Wing Diptych 2 (2015)
Wing Diptych 3 (2015) The drawing was of an imaginary wing, and preceded the Wing Dress series.
Dragon Dress Diptych (2015)
Dragon Dress Prototype (2015) The dress in the photo was created around 1999-2000 with fabric marker as the first experiment for the Dyed Threads series.

Sunken Feathers

A feather drawing layered on clouds.
A feather drawing layered on sea sparkles.
A feather drawing layered on ocean
A feather drawing layered on sea shore.

Various images of the Ocean are layered over feather drawings originally created for my “Wing Dress” series.

The Ocean has been my muse, especially for the dress series, and during a long creative process my daily visit to the water fed me visions and the energy that deepened and lightened me simultaneously.

These images are my attempt at somehow capturing the mystery I’ve witnessed while by, on or in the Sea.

From top:
Underwater Sky 2 (2015)
Sped (2010)
Teal (2009)
Shore (2011)

Following two:
Underwater Sky (2010)
Flight (2015)

Clouds in both “Underwater Sky” were photographed looking up through the water during mid summer.

「Underwater Sky」の歪んだ雲は夏空を水中から撮影。

A feather drawing layered on clouds.
A feather drawing layered on shore.

Last Edited: November 27, 2020

Light Calligraphy

Christmas tree and people in the city, in blur.

Moon light over the shore.
Candle lights patterns.
Light house lights patterns.

Unlike a more popular approach to light calligraphy that is to move a flashlight while in long exposure, I swing my camera-arm around instead in a way much similar to ink calligraphers with enormous brushes.
I do this solely on my impulse, often times with my eyes closed, as there is no way for me to pre-plan or monitor what is being drawn.

Many of the resulting images (including the pieces presented here) have composition that require no cropping. Some of them even turn out to have resemblances to my past paintings.

Opportunities for light calligraphy arrive spontaneously.
The experience always had enlivening effect on myself and some of those who happened to witness seemed to have joined me in the enthusiasm with curious sort of excitement.

長時間露光と懐中電灯でパターンを描く通常のやりかたではなく、カメラを書道家の筆の様に使い、完全にインスピレーションに頼り(多くは目を閉じた状態で)撮影したもの。

ここに紹介した作品を含めほとんどはトリムの必要を感じさせず、また自作の絵に似通った出来上がりとなったものもある。
通常技術で仕上がりを予測する事を重んじる『写真』という表現形態への、いわば正反対からのアプローチ。

From top:
Christmas Lights at Union Square, SF.(2011)
Moon (2011)
Candle Night (2010)
Light House (2011)
Design District, San Francisco (2011)

Street lights patterns.

Last Edited: December 06, 2021.