Note:
Scarab reference is from a tale about Carl Jung’s synchronicity bits, about his “psychologically inaccessible” patient (“” by me) not buying any of it until a scarab beetle turned up just as she was telling the doc about a dream she had of the very insect and proven his point to her.

“Don’t tell me what I’m doing, I don’t want to know.

The grand thing is to plunge ahead and see what your passion can reveal.”

One night, season unknown, circa 1998.
I placed a worn vinyl on a turntable, as I’ve done so many times since I found the album over a decade ago at a record store cleverly named Pied Piper. It was getting late, getting ready for another day at work, weary, spent, mildly agitated.

Those days I recall feeling like I was running in a dream, my intent racing while my feet stuck in mud. It was around the time I got hit with a spark of inspiration to paint a dragon with fabric dye on a dress without knowing where to start, seemed like a massive undertaking, unsure if I got what it takes, if it’s worth the trouble.

If I pour all I have into it how far will I go? As an artist, as a person. It was the kind of question that triggered my existential dread, that put me in an instant on a remote island afloat in Galaxy somewhere, lightless, alone. No one had the answer, and that included myself.

Up to that point I spent a good portion of my life being kinda sorta artsy. Limitless Freedom, Creativity in the purest sense entails, frightened me into an uncomfortable standstill, agitated, stuck in mud, as I was that evening.

When it came to the last song of the Side A everything stopped. A moment’s pause between the songs turned eternal, a very loud silence. As if the world froze except me and the song to come, commanding my fullest attention.

“Open wide the hymns you hide
You find renown while people frown
At things that you say
But say what you’ll say.

About the farmers and the fun
Things behind the sun
People around your head
who say everything’s been said
Movements in your brain
sends you out into the rain.”

And I heard the words as if for the first time, written and sung, as the story goes, by a young man died young before he found his audience, addressing my anguish I could not articulate, as if someone, something used the song – because my heart was open to it, so I can reach within, afraid but aided, and find my own answers.

“Who’ll hear what I say” – the young man sung to me for the thousandth time, but that evening I heard it, humbled by the profoundness of the Creativity itself, perfectly timed, the wisdom, the patience, handing me the assurance I did not know I was ready to receive, shone through the impossibility, the cruelty of life in the society we live in.

“Fill this sieve with sand and you’ll get a dime!!”

Fast forward to year 2021. After many more incidents like the one I just told you about, I picked up a book I’ve been meaning to read ‘one day’ for the past few decades. It was perfect really, it was the end of late summer, finally gave myself what I’ve been promising, a gift of luxurious “Book Time on the Beach”, and I picked up the dystopian novel with hopeful ending. Unexpected though, was to find bunch of “scarabs” in it, right from the get go.

It was also right after I posted a journal entry titled “Stir”, in it I mentioned about my 9yr old art project, how I “no longer know what I am doing” but that “is actually a very good sign that you/r art is getting somewhere.” Not knowing of this variety no longer troubles me as it did in 1998, but I be lying if I said it totally doesn’t. The quote at the top, from the book’s introduction, to me was a sign I’m vibing fine with the Creativity, my Invisible Bestie so better rest assured and enjoy the sunlight. But it didnt end there.

Half way into the book, I found a following line, spoken by the main character, on public transport agitated in anguish.

“Consider the lilies of the field.”*

Lilies of the Field, the very wording I’ve used since while back, to call upon the muse of my aforementioned art project, painting in progress, with the method I practiced since 1998, poured as much of myself into it and here I am, in the middle of the year 2 of global confusion trying to paint as fast as humanly possible, while the world methodically closing in on us.

Consider the Lilies of the Field. The line found me, while on the beach with the “tsunami wall” a towering ton of concrete breathing down my back while the Ocean itself reduced, as if, to everyone’s favorite garbage bin with Godzilla lurking somewhere in the deep while waiting, from somewhere down in Mariana trench the answers would emerge, for the questions one can ask only while pushing through the same old mud pit.

Lastly.
By bringing up words and works from the prominent folks in the society, my intention is not to publicly validate my points with them but rather, to use them as a proof that in Creativity, as the Grandest Container in which our society resides, the Spark of Inspiration will permeate through even the faintest hairline cracks, and send its Most Benevolent Beam right into the core of you, piercing the facade of impossibility, rest assured, at your very earliest convenience.

Endnote:

Titles of the book/music are intentionally unmentioned in the main text.

Quotes, except “the lilies” are edited sensibly by myself.

“Open wide…” – Nick Drake (a.k.a. the young man) “ Things Behind the Sun” (1972).

“Don’t tell me…” (p.2), “ Sieve” (p.101) and “Consider…” (p.102) – Ray Bradbury “Fahrenheit 451” (1953)

Re. Tsunami Wall I mentioned – web search “tsunami wall japan” and you’ll find lots of articles and news stories.

My take? I never saw humanity as the land owner of this Planet. According to my book, we are just renting our space in the Very Intelligent Ecosystem. Other lives sharing the place with us. We benefit from them, in fact, can’t keep on without them.

And, I’m saying this with objectivity of a life long cultural outsider with minimum dose of nationalism, Japan is the birth place of the term “Umami” – the delicately vague taste was given a name in this culture. Most often used to describe the flavor of soup stocks from dried fishes / kelps/ mushrooms, Japan has its history deeply rooted in a humble dance with Nature itself. Not to conquer but to dance with. Nature’s lead. Nowadays it’s hard to find food items without a chemical compound labeled as “amino acid (MSG that is)” – the lifeless equivalent of Umami.

Once upon a time our ancestors built their homes on 1000+ islands on fault lines with many active volcanos, the sources of hot springs and tsunamis. Modern day first world comforts, like treats we didn’t earn, have seemingly made too many of us, me included, entitled and somehow, paradoxically, disempowered, disconnected from True Generosity, the Ultimate Free Lunch with no strings attached.

History

Conception:
13Oct21 @20:32 JST
Written: 13Dec21 @19:02JST -19Dec21
Published: 19Dec21 @13:36JST
Editions: 25Dec21 – added “(MSG…)” bit.
*Additional note on May 19, 2023: Just discovered by chance the line (“Conside…”) is from Christian religion textbook. Even with my lack of awareness (look, I’m not even a buddhist) the sentiment vibes, as if…
Creativity has a life of its own, and I am merely a party guest, invited to take mini part in everlasting blossoming of Ultimate Beauty Itself.
12Sep23 – added “a chemical compound labeled as”.

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