Spider lily red. Not of the castle, nor of the village.
力を振りかざすのでもなく、それにひれ伏すのでもない赤。おかえりなさい。
Welcoming back the muse for my current project “Spider Lily Red”. Update on that next.
Spider lily red. Not of the castle, nor of the village.
力を振りかざすのでもなく、それにひれ伏すのでもない赤。おかえりなさい。
Welcoming back the muse for my current project “Spider Lily Red”. Update on that next.
The year in review.
August 10, 2017. A day before Mountains Day, a national holiday only a few years old, I hopped on my little scarred Honda and headed out roughly towards west. Compelled by the briefness of summer, I wanted to absorb the scorching of the season as much as humanly possible.
Soon after somehow I took the turn I did not plan. General direction is right I said, my motto for a game I call “intentionally getting lost”. Just so long as I won’t miss out on the precious August sun for too long.
Well the path rode into the forest and quickly narrowed, to a single lane just wide enough for my compact. Winding as a large serpent would, on and on through the thick of woods that blocked even the brightest of the light. “Always a screw up, destined to miss.” An inner dialogue took the passenger’s seat like an inseparable old friend and worse yet at each hairpin, I grew deeper in agreement with her.
Then quite suddenly the serpent spat me out, into the bursting of the summer where I found a community probably the smallest I’ve ever seen. Tacked away in a valley between mountains are just a handful of housing structures, only some inhabited, lives held together with artful display of faded woods and rusted tins. Face to face with the unfolding quiet gem, with midday asphalt beneath my feet, I found myself alone in a place where leaves can be heard, streams carry life, the sun warms your shoulders and butterflies are free.
My kind of prayers.
The piece in progress: Spider Lily Red. A petal of the said lily (top), the muse, certainly posing like one, from late September this year, and my interpretation of it painted on silk, the reverse side of a dress in formation, pictured on the last day of October.
Stitches are done by hand, my homage to the God of Creativity whose benevolence and artistry I could never outdo.
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Photographed September 2015, originally posted on VSCO Cam on October 17, 2017.
Published February 20, 2021.
Lily Shangri-la. Where Life warms you like the gentlest bonfire.
Same as this location (“Lily Sanctuary”), last fall (2020) I saw the tree uprooted along with all the lily bulbs.
Photographed this afternoon: the work in progress on a sewing body (in blur, just because), with most likely this fall’s last batch of my favorite lilies.
Above: post steam set (the high-heat, steam-not-water procedure is outsourced to craftsmen in Tokyo who mostly work with kimono clients), red dye now bright and alive. Approx.120 things I secretly feared would go wrong, one of which being overdoing the dye, meaning way too many dye particles sitting upon fabric grain, from which a major trouble certainly results, a mistake I once made in 2003, did not happen. Dyed surface now stable, time for me to relax.
Below: a macro shot of a spider lily petal, the muse for the above piece I’ve been working on, photographed as I discovered its magic back in Fall 2014.
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Above: Dream Lily (Nine), one of the very first photos I took of spider lily petals – a visual memo I made back in late 2012, of ideas for the dress series to emerge.
Below: fast forward several years. Spider Lily Red – Flare 1 (the series and its first piece), acid dye on silk, process, detail, photographed on 15th of July, a day after I stopped painting on the piece – there was nothing more to add.
Looking back to where it began before stepping into the remaining 2 percent, crossing my fingers.
We live on a Planet of Jewels.
A macro shot of a spider lily petal, and,
the first of the “Spider Lily Red” dresses, close detail of the front panel, almost there, how it looked this afternoon.
Last Edited: December 06, 2020.
(Jizou: a Buddhist rock statue, its humble presence usually found on roadside, in a corner of a temple, as a requiem for departed, an aid for suffering.)
Best jizous I’ve ever seen live in my neighborhood. Their stone-made presence weighs of the spirit. I sit and ponder on their shrine’s faded wooden verandah. So lucky, ain’t I. Then I glance over, their expression exudes. Surely honey, indeed, and that is quite so with everybody. Lucky, everyone, in ways no one else can know.
Carved, most probably by a monk on pilgrimage, he won it within himself, to let it speak through the simplest of lines. You ought to know simple is hard, creativity brutal, what you got inside, turns up regardless. That’s quite alright they say, they are the best jizous I’ve ever seen.
Red of the lilies around them somehow look the deepest. Someone who knew, once stood here. I think of the monk, the time he lived long since past, chiseling in bold, determined strikes, what he conveyed a timeless truth. Walking back to my car I find, in a bouquet of my favorite lilies, a glimpse of my own lucky bouncing in my arms.
All photos were taken on last Sunday of September 2016, at a location, best remain undisclosed, where I regularly raise a cup to our individual luckies.